Edited by Caro1970 at 09-29-2023 15:55
One would think that a condition of the physical world as omnipresent as color would be easy to understand. Because it is a function of light, however, and because light is highly variable, color is one of the most elusive and enigmatic elements for the artist and designer to master.
David Hornung has brought his long experience as a visual artist to the task of demystifying the phenomenon we call color and making it accessible to the art and design student. He wisely avoids the tendency of color theorists to systematize color and opts for a hands-on experience that is both practical and logical. He recognizes from his own studio career that colorists don’t spring to life with some fully formed capacity to compose color and to communicate with it. Rather, they develop confidence in working expressively with color through a dedicated and disciplined practice experienced at the tip of a brush or pen or pencil, through cut or torn collage elements, or via pixilated images on a computer monitor.
Color language is quite specific and efficient, and Hornung is careful to define and to illustrate the terms we commonly use to describe characteristics or aspects of color and color usage. From semantic misunderstandings or misreadings arise many of the problems associated with color study, but here the student will find a rigorous yet streamlined analysis of that language designed to avoid just such misinterpretations.
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